Thoughtful Preparations: Media Spin Blog

The documentary film Who the #$&% Is Jackson Pollock? is an arresting study of whether or not a found object is worth over $20,000,000, and how to go about proving it. The documentary gets better and better as art critics, art dealers, and art experts try and determine whether a dumpster diving, truck driving woman really has possession of an original Jackson Pollock painting.

Part of the film shows the floor of Pollock’s studio where he was the software engine that threw the paint onto the horizontally reclining canvas. Gravity, excitement, gesture, inspiration, knowledge and whim played a part in the programming of the painter’s mind as he cast dripping paint noodles onto the awaiting virgin canvas. While in the excited solitude of his studio, did Pollock ever masturbate on any of his canvases? That would truly provide the DNA link that Teri Horton seeks for her painting in question. Some paint drip!

Jackson Pollock stands as a giant of real physical painting. Here is jacksonpollock.org to honor him with Flash-induced dripping pixels. Take note that these are flat 2 dimensional pixels of computer encoded light.

Brian Eno calls his current touring exhibition, 77 Million Paintngs. I say that Eno has perhaps rendered 77 million musical notes resonationg in the physical airspace over time, but these are not paintings.

Eno has for a long time been a maker of stylish relaxed “ambient” music and art, sort of non-intrusive, office art without balls.

Spot Draves has been developing this idea long before Eno in his Electric Sheep project, as documented in my Tubular TV interview. Spot’s pixel throwing algorithms have been 10 years in the making, and are highly sophisticated.

To see the full text of the C.I.A.’s recently released, yet censored, documents go to The National Security Archives. The National Security Archives web site was written about on this blog in an earlier post about the Nixon-Elvis photo session.